Playing the piano essay example

The same piece, on a modern piano Problems playing these files? Modern piano Further information: Innovations in the piano In the period from about tothe Mozart-era piano underwent tremendous changes that led to the modern form of the instrument. This revolution was in response to a preference by composers and pianists for a more powerful, sustained piano sound, and made possible by the ongoing Industrial Revolution with resources such as high-quality piano wire for stringsand precision casting for the production of massive iron frames that could withstand the tremendous tension of the strings.

Oxford University Press, A forged painting, for example, will not be inauthentic in every respect: Authenticity of presentation is relevant not only to performing arts. Modern museums, for example, have been criticized for presenting old master paintings in strong lighting conditions which reveal detail, but at the same time give an overall effect that is at odds with how works would have been enjoyed in domestic spaces by their original audiences; cleaning, revarnishing, and strong illumination arguably amount to inauthentic presentation.

Religious sculptures created for altars have been said to be inauthentically displayed when presented in a bare space of a modern art gallery see Feagin First, works of art can be possess what we may call nominal authenticity, defined simply as the correct identification of the origins, authorship, or provenance of an object, ensuring, as the term implies, that an object of aesthetic experience is properly named.

–Zeman, Carrie) 4) Commercial Recordings of Rags Composed by Women []. Max Morath was one of the early ragtime pioneers to feature recordings of rags composed by women with his Vanguard Records album entitled The Ragtime Women which contains the following compositions. Free Essay: Playing the Piano "'natural phrasing' and `from the heart' are prized attributes of song, singing that way requires rehearsal, preparation. Playing the piano is also an excellent way to strengthen eye-hand coordination and fine motor skills, and people who take piano lessons learn a lot about discipline, dedication and the rewards of hard work.

This second sense of authenticity can be called expressive authenticity. The following discussion will summarize some of the problems surrounding nominal authenticity and will conclude with a general examination of expressive authenticity.

A forgery is defined as a work of art whose history of production is misrepresented by someone not necessarily the artist to an audience possibly to a potential buyer of the worknormally for financial gain.

A forging artist paints or sculpts a work in the style of a famous artist in order to market the result as having been created by the famous artist. Exact copies of existing works are seldom forged, as they will be difficult to sell to knowledgeable buyers.

The concept of forgery necessarily involves deceptive intentions on the part of the forger or the seller of the work: The line between innocent copy and overt forgery can be, as we shall see, difficult to discern. Plagiarism is a related but logically distinct kind of fraud. The most obvious cases of plagiarism have an author publishing in his own name a text that was written by someone else.

If the original has already been published, the plagiarist is at risk of being discovered, although plagiarism may be impossible to prove if the original work, or all copies of it, is hidden or destroyed. Since publication of plagiarized work invites wide scrutiny, plagiarism is, unlike forgery, a difficult fraud to accomplish as a public act without detection.

In fact, the most common acts of plagiarism occur not in public, but in the private sphere of work that students submit to their teachers.

There is nothing fraudulent about wrongly guessing the origins of an apparently old New Guinea mask or an apparently eighteenth-century Italian painting. Fraudulence is approached only when what is merely an optimistic guess is presented as well-established knowledge, or when the person making the guess uses position or authority to give it a weight exceeding what it deserves.

The line, however, that divides unwarranted optimism from fraudulence is hazy at best. Authenticity, therefore, is a much broader issue than one of simply spotting and rooting out fakery in the arts. The will to establish the nominal authenticity of a work of art, identifying its maker and provenance — in a phrase, determining how the work came to be — comes from a general desire to understand a work of art according to its original canon of criticism: How was it related to the cultural context of its creation?

To what established genre did it belong? What could its original audience have been expected to make of it? What would they have found engaging or important about it? External context and artistic intention are thus intrinsically related. There may be Roman sculptures, copies of older Greek originals, which are in some respects aesthetically better than their older prototypes, as there may be copies by Rembrandt of other Dutch artists that are aesthetically more pleasing than the originals.

But in all such cases, value and meaning can be rightly assessed only against a background of correctly determined nominal authenticity for further discussion see Dutton ; Goodman ; Currie ; Levinson The Dutch artist Han van Meegeren — was born in Deventer and studied in Delft, which was the home of the great seventeenth-century Dutch artist Johannes Vermeer.

As his career declined in the years following the First World War, van Meegeren became increasingly resentful of dealers, critics, and academics. Later he turned to the much scarcer and more valuable paintings of Vermeer.

Fewer than forty Vermeers have survived into the twentieth century. His most ambitious plan, hatched in the mids, was to forge a large Vermeer on a religious subject.

This would have been an unusual find for an undiscovered Vermeer, and therefore an unlikely choice for a forger; but in fact van Meegeren was cleverly confirming published scholarly speculation that Vermeer had visited Italy and painted on religious themes in his youth, and that such paintings in a large, Italian style might yet be found.The social history of the piano is the history of the instrument's role in society.

The piano was invented at the end of the 17th century, had become widespread in Western society by the end of the 18th, and is still widely played today.

Influence of Playing the Piano on Brain Essay Sample. Rachel Ehrenberg said that “Not so long ago, Mozart mania swept the nation. A small study found that students who listened to 10 minutes of a Mozart sonata performed better on a paper-folding task than their peers” (Ehrenberg, ).

One of the most popular pages on the Internet for intermediate to very advanced piano solo, contains jazz transcriptions from current and past masters, and arrangements by . Turnitin provides instructors with the tools to prevent plagiarism, engage students in the writing process, and provide personalized feedback.

What silence taught John Cage: The story of 4′ 33″ - The piano in my life

The tools you need to write a quality essay or term paper; Saved Essays. You Have Not Saved Any Essays. Topics in this paper. Musical Notation; Essays Related to Personal Statement - Playing the Piano.

1. Personal statement. For example, when we are young, our elders teach us the expectations for how to treat other people, with strict /5(3).

Misc thoughts, memories, proto-essays, musings, etc. And on that dread day, the Ineffable One will summon the artificers and makers of graven images, and He will command them to give life to their creations, and failing, they and their creations will be dedicated to the flames.