Writing a book proposal by peter rubie fine

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Writing a book proposal by peter rubie fine

If you submitted a question, thanks. Feel free to comment on or ask follow-up questions about their answers. This is a nice first question are you tossing out the softballs first, Justin?

Philosophers, and academics in general, seem very reluctant to do this, especially when one looks at what goes on in other professions. I recently read Dear Committee Membersa novel made up mostly of letters of recommendation from an English prof, and underlined this: This is a foreign concept to me: But I think many academics would do their arguments and ideas a favor by pushing their books a bit more.

Talking about yourself and your work is no longer garish in One issue that comes up from time to time is improper formatting of Word manuscript files — endnotes that are manually entered using superscript numbers, low-resolution pictures awkwardly embedded within the text, etc.

These kinds of issues can cause delays and headache for all involved. If, as an author, you have any uncertainty about formatting, I advise asking questions or submitting a sample in advance of the complete manuscript, to ensure the text is in good order.

My favorite question on this list! How about keeping your emails short? We live in the Twitter-verse now, so concise is always better.

Write like Wittgenstein, not Hegel! They keep their correspondence short and on point and save their words for their manuscripts.

When approaching a publisher, you really only need three magic sentences: Would you be interested in seeing it? No CV, no book proposal, no sample chapters, no journal articles, no letters of recommendation from your dissertation adviser.

The likelihood of me responding to such an email is much, much higher than, say, a 5, word email on the history of philosophy, and your place in it.

You have to remember that all publishing is local. Even within the same publisher, editors working in fields as diverse as philosophy, computer science, economics, literary theory, etc. So you should take any generic guidelines you read on a website with a grain of salt.

For me, personally, I strongly prefer to deal with potential authors who already have draft manuscripts prepared. This is a broad question, probably answered differently by every editor. I think generally authors and prospective authors might do well to look at projects from the perspective of an editor — to think more about why a project should be published by that press.

Who is the core readership? Showing the editor you have thought about this creates a positive impression. Deliver their manuscripts on time. I quite fancy a job copy- editing philosophy books, or academic books more generally. An is it all freelance, or are there staff positions?

Our copy-editors are all freelance, and we have a roster which is flexible in that people are regularly joining it and leaving it. In order to be considered, you would need to contact our production department. At SUNY, copyediting is done on a freelance basis and our production editors have a group of regular copyeditors they work with.

All Broadview copyeditors work on a freelance basis. Most if not all professional copyediting is done freelance these days — there are relatively few staff copyediting positions at OUP. Nearly all copyediting is freelance these days I think.

Very few publishers have on staff copyeditors. Rather they mainly check grammar, consistency of usage, spelling, etc.How to Write a Book Proposal: A Guide for Nonfiction Writers. by Mark Gottlieb.

writing a book proposal by peter rubie fine

Writing a book proposal, for me, at least, is like writing a very difficult thesis – your article was so helpful, Mark. Thank you so much for making the process much clearer, I . Rubie also addresses selling a work of narrative nonfiction: finding an agent, writing the book proposal, marketing the book.

This is a fairly traditional how-to-be-a-writer book in that it discusses all the usual things--plot, character, dialogue, the mechanics of getting published--but it addresses them all through the special lens of benjaminpohle.com › Books › Reference › Writing, Research & Publishing Guides.

Peter Rubie's book has been a great help in getting me ready to take my proposal to agents. He describes the genre and what makes good narrative.

He has many helpful suggestions for conducting research--especially on conducting interviews.4/5(1). Peter Rubie Literary Agent - Find detailed information about literary agents like Peter Rubie with FinePrint Literary Management.

After I revised my query letter and book proposal, I got several agencies interested and decided to sign with Fine Print Lit, a top literary agency in New York.

They got publishers bidding against each other and. Each publishing expert will focus on the characteristics of a winning book proposal or manuscript. I can apply these same techniques to my own ideas and presentations for a winning combination.

Never before have these eight publishing experts been gathered into benjaminpohle.com Peter Rubie, FinePrint Literary Management West 29th Street, 3rd Floor New York, New York [email protected] Read More. How to Write and Publish Your Book--Starting Today!-Book Proposal Secrets. Peter Rubie CEO & Literary Agent benjaminpohle.com

What Editors Do: The Art, Craft, and Business of Book Editing, Ginna